White Light, White Heat, White Trash (aka WLWHWT) is the fifth album by American punk rock band, Social Distortion, released on September 17, 1996 by Epic Records. The album was produced by Michael Beinhorn. White Light, White Heat, White Trash is the last Social Distortion album to feature guitarist Dennis Danell who died on February 29, 2000 of a brain aneurysm at the age of 381. It is also the band's last release on Epic Records. The album got Social Distortion's highest ever chart position, debuting at #27 on the Billboard 200 charts. Stylistically, the album is harder and considered a return to their punk roots. The title of the album is a play on the Velvet Underground album, White Light/White Heat (1968). The Velvet Underground record is known for being one of the most original, and likely the heaviest, records of the time, just as White Light, White Heat, White Trash for Social Distortion has a harder sound than those albums preceding it.
Music and lyricsStylistically, WLWHWT signifies a shift back to their hardcore and punk roots for Social Distortion 2. When this album was released, Social Distortion had been playing for 15 years. Throughout that time, the music went from a hardcore Ramones-sounding punk to a more melodic Elvis/Johnny Cash rockabilly punk sound. With this album, Social D came back full circle back to a harder sound which some consider their strongest album thus far2. It was named #41 on Kerrang!'s 50 Greatest Punk Albums Ever 3. Some old-school fans were upset when the first single, "I Was Wrong", became widely played on the radio as record sales equals selling out to some of the elitists; however, Social Distortion is something of a legend in the punk genre and continues to receive respect and support from the community4. The lyrics on this album are as socially-conscious as the most of their previous albums with "Don't Drag Me Down" and "Down Here (w/the Rest Of Us)". There are also reflective songs such as "I Was Wrong", "Crown of Thorns" and "Pleasure Seeker". There are a couple of more personal songs for Ness on the album like "Dear Lover" and "When The Angels Sing" which is said to be a tribute to Ness's grandmother4. Cover and liner artThe cover of White Light, White Heat, White Trash features a photograph of a ventriloquist dummy/puppet taken by Leonard Myazinaki. On the back cover is another photograph by Myazinaki of religious statues. The inner liner is covered with small icons of religious and Americana nature, illustrating the album's fusion of faith and punk rock with a 50s influence. The iconography includes dice, a 50s-style automobile in front of a motel, a pin-up girl with angel wings and a halo, a burning cross and a Sacred Heart. Track listingAll songs written by Mike Ness unless otherwise noted.
'*' indicates a hidden track. Personnel
Chart and singles historyAlbum chart positionsAll chart positions from Billboard magazine (North America).5
Singles chart positionsAll chart positions from Billboard magazine (North America).6
Singles informationSingles information gathered from SocialDistortion.com 78
Trivia
AccoladesThe information regarding accolades attributed to White Light, White Heat, White Trash is adapted from AcclaimedMusic.net.9
(*) designates unordered lists. References
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