The Wide, Wide World is an 1850 novel by Susan Warner, published under the pseudonym Elizabeth Wetherell. It is often acclaimed as America's first bestseller, and has been both heralded and debated since its release as a landmark piece of feminist and Christian literature.
PlotThe Wide, Wide World is a work of sentimentalism based on the life of young Ellen Montgomery. The story begins after Ellen’s happy life with her mother has been disrupted by the fact that her mother, because of her illness, must accompany her father to Europe, and that she must leave her home to live with her aunt. Though Ellen tries to act strong for her mother’s sake, she is devastated by the news, and can find solace in nothing. Eventually the day comes when Ellen must say goodbye to her mother, and travel to her aunt’s in the company of strangers. The strangers Ellen travels with are unkind to her, causing Ellen to run off while aboard the boat they are traveling on. An old man sees Ellen crying and asks her what is wrong, and he tells her to trust in God. He teaches her about being a Christian, as her mother had done, and asks her if she is ready to give her heart to Jesus. After talking with the kind man, Ellen becomes determined to become a true Christian, which gives her strength for the rest of the journey to her aunt’s in Thirwall. On Ellen’s first night in Thirwall, she learns that her father forgot to send word to her aunt that she was coming, so she receives a ride to her aunt’s house from Mr. Van Brunt. Ellen’s aunt, Fortune Emerson, turns out to be a very different sort of person than her mother. She refuses to let Ellen attend school, and is callous and unkind to Ellen. Ellen hates living with Fortune, though she finds some comfort in the likes of Mr. Van Brunt as well as some other neighbors she befriends. One day, Ellen finds out that her aunt withheld a letter from Mrs. Montgomery. Ellen becomes upset and runs into the woods crying. In the woods, Ellen meets Alice Humphreys, the daughter of a local minister. She is kind to Ellen and invites her for tea the next day so Ellen can tell Alice all about her troubles so that Alice might help her. Ellen and Alice become fast friends, and Alice decides to adopt Ellen as a sister. She offers to teach Ellen what she is missing by not being allowed to attend school, and also becomes a source of spiritual guidance for Ellen, teaching her to forgive others and trust in the Lord. Alice and her brother, John, who is away at school much of the time, treat Ellen like family and even invite Ellen to spend Christmas in Ventnor, a nearby town, with them and their friends, the Marshmans. While there, Ellen befriends another Ellen, Ellen Chauncey, and gets to know John Humphreys much better, as he comforts her a number of times when she gets upset after being teased by the other children. Ellen comes to realize, after her stay in Ventnor, that her mother leaving wasn’t all bad, as she has been fortunate enough as to meet Alice and John. About a year later, Ellen, while in town one day, overhears some ladies in town talking about her, and discovers that her mother has died. Ellen is devastated and turns to Alice and her Bible for comfort, and she learns to bear the loss of her mother with the help of those around her. She stays with Alice and John for a long while after that, until her aunt gets sick and Ellen must return to care for her. Eventually Fortune recovers and Ellen is able to go back to visiting with Alice and the rest of her friends. After Mr. Van Brunt’s mother dies, it is decided that he and Fortune will marry. Soon after that, while Ellen is visiting Alice, she tells Ellen that she has learned that she is sick, and that she will be “going home” to Heaven before long. She asks Ellen not to be sad for her, but to trust in God. She also asks Ellen to take her place in her household when she is gone, Ellen accepts and goes to live with the Humphreys and take care of Alice as she becomes weaker. After Alice dies, Ellen turns to John for guidance. He takes on her studies, as Alice had taught her before, and he becomes a guiding light for Ellen in all aspects of her life. After a relative of the Humphreys’ dies in England, John must travel overseas to handle the family’s business. Ellen is sad to see John go, but he leaves her a stronger person than he found her. Nancy visits Ellen one day, bringing with her letters that she has found while cleaning Fortune’s house. The letters are for Ellen from her mother, and express her wish that Ellen would go live with her relatives in Scotland. Ellen does not know what to do after reading this, but eventually she shows the letters to Mr. Humphreys and it is decided that she has to honor her parents wishes, so Ellen is send to Scotland to live with the Lindsey family. The Lindsey family, comprised of her grandmother, Mrs. Lindsey, her uncle, Mr. Lindsey, and Lady Keith, welcome Ellen into their home. They find Ellen delightful, though they become extremely possessive of her, making her denounce her identity as an American and as a Montgomery. Mr. Lindsey even makes Ellen call him “father” and refers to her as his “own little daughter.” The Lindsey’s also discourage Ellen’s faith, as they don’t see religion as being important to someone Ellen’s age. Ellen finds it hard to live without her daily hours set aside for studying religion, but still tries hard to live by her faith and everything that John and Alice taught her. Ellen misses John more than anything, and night during a New Year’s Eve party at the Lindsey’s, he shows up and asks for Ellen. The Lindsey’s try to keep John away from Ellen, but prove unsuccessful in the end. John and Ellen share an emotional reunion, and John reminds her to keep her faith, and tells her in a few years she will be able to choose where she lives, and can come back and live with him in America. Ellen introduces John to the Lindsey’s, and surprisingly, they become fond of him. Soon, John returns to America, but not without promising Ellen that they will be together in a short time. In an unpublished chapter at the end of the book, Ellen returns to America a grown woman and married to John. CharactersPrimary Characters:
Secondary Characters
ThemesThis book was originally written with the goal of teaching people a Christian lesson, so many of the themes are Christian in nature and aim to show people how a true Christian ought to live his or her life.
ConflictsThe driving conflict of this story is the separation of Ellen from her mother and the effects of this separation on Ellen, including how she misses the mother who had meant everything to her, how she struggles with being a good Christian, and how she deals with people who don’t care about her.
As a work of sentimentalist literature, the conflict created by the story is dealt with almost entirely through the emotional response that Ellen has to the conditions in which she is put in the novel. In this, the main conflicts that Ellen encounters deals with how she can internally deal with each of the emotional problems she is met with in a way that is characteristic of strength and perseverance.
Ellen’s mother leaving for France due to her sickness is the conflict which sets the entire narrative in motion, which occurs at the very start of the story. The first few chapters deal with how Ellen prepares to cope with the separation while simultaneously ensuring that, on the advice of the doctor, she refrains from causing any extra stress or fatigue on her mother. After her departure, Ellen must come to terms with being able to survive without the one person who truly cared for her.
With her mother’s departure, Ellen finds herself doubting God’s intentions, and struggles with the idea that she must love God despite the hardships he has given her, chiefly being separated from her mother, and attempt to come to terms with the idea that God has separated Ellen from her mother and sent her to her aunt in order to be taught that strong faith in God is the most important aspect in her life, super-ceding her love for her mother.
Most of the personal conflicts with other characters are also dealt with in the internal manner, chiefly the struggles Ellen has in dealing with her callous and uncaring Aunt Fortune, who shows no sympathy for Ellen’s sadness in being detached from her mother immediately upon meeting. Aunt Fortunes disregard for the feelings of Ellen leads to most of the external turmoil Ellen faces in the first half of the book, including her indifference to allow Ellen to go to school. Literary StyleIn assessing Warner's style in The Wide, Wide World, there are three main aspects which created Warner's particular writing style. The first aspect is the time in which the book was written. With Webster furthering the development of the American dialect when he published the first American dictionary in 1828, America was still gaining its own literary voice in 1850 when The Wide, Wide World was published. It is readily apparent from the first page that this novel's style is archaic with lines such as "Driven thus to her own resources, Ellen betook herself to the window and sought amusement there." [1] The next aspect of Warner's style is that The Wide, Wide World is also a didactic piece. Warner’s style was aimed at giving an accurate portrayal of the social limitations imposed upon nineteenth-century women, and aimed at promoting the benefits of Christian morality. The Wide, Wide World was republished in 1987 by the Feminist Press, showing the claims it holds to furthering gender equality. And one can see that Warner’s style was aimed at promoting Christian morals because one of the main themes of this novel is about finding strength in religious devotion. The Wide, Wide World is a paradigm of sentimentalist literature. The conflict and action of this story is largely introverted within the protagonist Ellen. The lines “Dressing was sad work to Ellen today; it went on very heavily. Tears dropped into the water as she stooped her head to the basin,” [1] are within a four page stretch within which Ellen cries on five separate occasions, displaying how sentimental Warner’s style was. Along with being a piece of sentimentalist literature the work is considered an example of the domestic novel. The Wide, Wide World adheres to the basic plot of most women’s fiction novels of the time, which, as Nina Baym describes the genre in Woman's Fiction, involves "the story of a young girl who is deprived of the supports she had rightly or wrongly depended on to sustain her throughout life and is faced with the necessity of winning her own way in the world.” [1] HistoryThe Wide, Wide World is an exemplary piece of American literature as it represents many of the themes and patterns prevalent in the 1850s."Published at the end of 1850, The Wide, Wide World by Susan Warner went through fourteen editions in two years, and may ultimately have been as popular as Uncle Tom's Cabin with 19th century American readers".[2] Although it was first rejected by many publishers, Warner's first novel became an instant sensation among its readers. The novel paints an excellent picture of the Victorian era of the United States, and so the readers of the time appreciated its relevancy to their own lives. Pushing Christian values and themes, The Wide, Wide World was a guide to young ladies of the time who were encouraged to have submissive and humble attitudes towards their elders, especially men. The novel also portrayed a part of the author's own life: While Ellen's mother died when Ellen was young, Warner's mother had died when Warner was only nine years old. Warner then went to live with her aunt, who was much kinder than Ellen's aunt Fortune in the book.[3] While Warner's book was widely popular for many years, readers lost some interest for quite some time. In 1987, the Feminist Press published a new edition, including the concluding chapter which had been left out by the previous publishers[2]. Now, the book holds relevance to a contemporary audience when viewed with an understanding of the era in which it was published. We can appreciate the ideals and values that Warner detailed in her book as well as learning more about life in early America. Notes
ReferencesBaym, Nina. Woman's Fiction: A Guide to Novels by and about Women in America, 1820-1870. Ithaca: Cornell University Press, 1978. External links
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