The Secret Agent

The Secret Agent: A Simple Tale is a novel by Joseph Conrad published in 1907. The story is set in London in 1886 and deals largely with the life of Mr. Verloc and his job as a spy.^[1] The Secret Agent is also notable as it is one of Conrad's later political novels, which move away from his typical tales of seafaring. The novel deals broadly with the notions of anarchism, espionage, and terrorism.^[2] It portrays anarchist or revolutionary groups before many of the social uprisings of the twentieth century. However, it also deals with exploitation, particularly with regards to Mr Verloc's relationship with his brother-in-law Stevie. Due to its terrorist theme, The Secret Agent has been noted as "one of the three works of literature most cited in the American media" post September 11, 2001.^[3]

Plot summary

The novel is set in London in 1886 and follows the life of Mr. Verloc, a secret agent. Mr. Verloc is also a businessman who owns a shop which sells pornographic material and bric-a-brac. Verloc lives with his wife Winnie, his mother-in-law, and his brother-in-law, Stevie. Stevie has a mental disability which causes him to be very excitable; his sister, Verloc's wife, attends to him, treating him more as a son than as a brother. Verloc's friends are comprised of a group of anarchists of which Comrade Ossipon, Michaelis, and "The Professor" are the most prominent. Although largely ineffectual as terrorists, their actions are known to the police. The group produce anarchist literature in the form of pamphlets entitled "F.P.", an abbreviation for "The Future of the Proletariat."

The novel begins in Mr Verloc's home, as he and his wife discuss the trivialities of everyday life, which introduces the reader to Mr. Verloc's family. Soon after, Mr. Verloc leaves to meet Mr. Vladimir, First Secretary in the embassy of a foreign country (implied to be Russia). Although a member of an anarchist cell, Verloc is also secretly employed by Mr. Vladimir as an agent provocateur. Mr. Vladimir informs Verloc that he is far from an exemplary model of a secret agent and, in order to redeem himself, must carry out an operation - the destruction of Greenwich by a bomb explosion. Later, Mr. Verloc meets with his friends, who discuss politics and law, and the notion of a communist revolution. Unbeknownst to the group, Stevie, Mr. Verloc's brother-in-law, overhears the conversation, which greatly disturbs him.

Comrade Ossipon later meets The Professor, who describes the nature of the bomb which he carries in his coat at all times: it allows him to press a button which will blow him up instantly, and those nearest to him. After The Professor leaves the meeting, he stumbles into Chief Inspector Heat. Heat is a policeman who is working on the case regarding a recent explosion at Greenwich, where one man was killed. Heat informs The Professor that he is not a suspect in the case, but that he is being monitored due to his terrorist inclinations and anarchist background. Knowing that Michaelis has recently moved to the countryside in order to write a book, the Chief Inspector informs the Assistant Commissioner that he has a contact, Mr. Verloc, who may be able to assist in the case. The Assistant Commissioner later speaks to his superior, Sir Ethelred, about his intentions to solve the case alone, rather than relying on the effort of Chief Inspector Heat.

The novel often moves between Mr. Verloc's work life, and his home life. At home, Mrs. Verloc's mother informs the family that she wishes to move out of the house. Mrs. Verloc's mother, Mrs. Verloc, and Stevie use a hansom in order travel, which is driven by a man with a hook in the place of his hand. The journey greatly upsets Stevie, as the drivers tales of hardship coupled with his menacing hook scare him to the point where Mrs. Verloc must calm him down. After Mr. Verloc's return from a business trip to the continent, his wife tells him of the high regard that Stevie has for him; she implores her husband to spend more time with Stevie. Eventually, Mr. Verloc agrees to go for a walk with Stevie. After this walk, Mrs. Verloc notes that her husband's relationship with her brother has improved. Mr. Verloc then tells his wife that he has taken Stevie to go and visit Michaelis, and that Stevie would stay with him in the countryside for a few days.

As Mr. Verloc is talking to his wife about the possibility of emigrating to the continent, his is paid a visit by the Assistant Commissioner. Shortly thereafter, Chief Inspector Heat arrives in order to speak with Mr. Verloc, without the knowledge that the Assistant Commissioner had left with Mr. Verloc earlier that evening. The Chief Inspector tells Mrs. Verloc that he had recovered an overcoat at the scene of the bombing which had the shop's address written on a label. Mrs. Verloc confirms that it was Stevie's overcoat, and that she had written the address. After Mr. Verloc's return, he realises that his wife knows that he has lied about the whereabouts of her brother, who has been killed by Mr. Verloc's bomb, and confesses what truly happened. Mrs. Verloc then attacks her husband with a knife, stabbing him.

After the stabbing, Mrs. Verloc flees her home, where she meets Comrade Ossipon, and begs him to help her. Ossipon assists her, ultimately aiding her in taking a boat to the continent, but also confesses his romantic feelings for her. However, Ossipon later discovers that, on the journey, Mrs. Verloc had become panicked by what she had done, and had disappeared leaving behind her wedding ring, presumably drowned.

Characters

Background

Greenwich Bombing of 1894

Conrad's character, Stevie, is based on the French anarchist, Martial Bourdin, who died gruesomely in Greenwich Park when the explosives he carried prematurely detonated.^[4] Bourdin's motives remain a mystery as does his intended target, which may have been the Greenwich Observatory.^[5] In the 1920 Author's Note to the novel, Conrad recalls a discussion with Ford Madox Ford about the bombing:^[6]

Major themes

Terrorism and anarchism

Terrorism and anarchism are intrinsic aspects of the novel, and are central to the plot. Mr. Verloc is employed by an agency which requires him to orchestrate terrorist activities, and several of the characters deal with terrorism in some way: Verloc's friends are all interested in an anarchistic political revolution, and the police are investigating anarchist motives behind the bombing of Greenwich.

The novel was written at a time when terrorist activity was increasing. There had been numerous dynamite attacks in both Europe and the USA, as well as several assassinations of heads of state.^[8] Conrad also drew upon two persons specifically: Mikhail Bakunin and Prince Peter Kropotkin. Conrad used these two men in his "portrayal of the novel's anarchists".^[9] However, according to Conrad's Author's Note, only one character was a true anarchist: Winnie Verloc. In The Secret Agent, she is "the only character who performs a serious act of violence against another", despite the F.P.'s intentions of radical change, and The Professor's inclination to keep a bomb on his person.

Critics have analysed the role of terrorism in the novel. Patrick Reilly calls the novel "a terrorist text as well as a text about terrorism"^[10] due to Conrad's manipulation of chronology in order to allow the reader to comprehend the outcome of the bombing before the characters, thereby corrupting the traditional conception of time. The morality which is implicit in these acts of terrorism have also been explored: is Verloc evil because his negligence leads to the death of his brother-in-law? Although Winnie evidently thinks so, the issue is not clear, as Verloc attempted to carry out the act with no fatalities, and as simply as possible in order to retain his job, and care for his family.^[11]

Politics

The role of Politics is paramount in the novel, as the main character, Mr. Verloc, works for a quasi-political organisation. The role of politics is seen in several places in the novel: in the revolutionary ideas of the F.P.; in the characters' personal beliefs; and in Mr. Verloc's own private life. Conrad's depiction of anarchism has an "enduring political relevance", although the focus is now largely concerned with the terrorist aspects that this entails.^[12] The discussions of the F.P. are expositions on the role of anarchism and its relation to contemporary life. The threat of these thoughts is evident, as Chief Inspector Heat knows F.P. members because of their anarchist views. Moreover, Michaelis' actions are monitored by the police to such an extent that he must notify the police station that he is moving to the country.

The plot to destroy Greenwich is in itself anarchistic. Mr. Vladimir asserts that the bombing "must be purely destructive" and that the anarchists who will be implicated at the architects of the explosion "should make it clear that [they] are perfectly determined to make a clean sweep of the whole social creation."^[13] However, the political form of anarchism is ultimately controlled in the novel: the only supposed politically motivated act is orchestrated by a secret government agency.

Literary significance and reception

Initially, the novel fared poorly in both the United Kingdom and the United States, selling only 3,076 copies between 1907 and 1914. The book fared slightly better in Britain, yet no more than 6,500 copies were pressed before 1914. Although sales increased after 1914, the novel sold more than "modestly" throughout Conrad's lifetime. The novel was released to favourable reviews, with most agreeing with the view of The Times Literary Supplement, that the novel "increase[d] Mr. Conrad's reputation, already of the highest."^[14] However, the were detractors, who largely disagreed with the novel's "unpleasant characters and subject". Country Life magazine called the story "indecent", whilst also criticising Conrad's "often dense and elliptical style".^[14]

In modern times, The Secret Agent is considered to be one of Conrad's finest novels. The Independent calls it "[o]ne of Conrad's great city novels"^[15] whilst The New York Times insists that it is "the most brilliant novelistic study of terrorism".^[16] It is considered to be a "prescient" view of the 20th century, foretelling the rise of terrorism, anarchism, and the augmentation of secret societies, such as MI5. The novel is on reading lists for both secondary school pupils and university undergraduates.^[17]^[18]^[19]

Unabomber

The Secret Agent is said to have influenced The Unabomber, real name Theodore Kaczynski. Kaczynski was a great fan of the text, and had a copy of the novel by his bedside as an adolescent.^[20] He identified strongly with the character of "The Professor", and advised his family to read The Secret Agent in an effort to further understand the character, with whom he felt such a great bond. David Foster, the literary attributionist who assisted the FBI said that Kaczynski "seem[ed] to have felt that his family could not understand him without reading Conrad."^[21]

Kaczynski's idolisation of the character was due to the traits that they both shared: disaffection, hostility towards the world, and being aspiring anarchists.^[22] However, it did not stop at mere idolisation. Kaczynski used "The Professor" as a source of inspiration, and "fabricated sixteen exploding packages that detonated in various locations".^[23] After his capture, Kaczynski revealed to FBI agents that he had read the novel a dozen times, and had sometimes used "Conrad" as an alias.^[24] It was discovered that Kaczynski had used various formulations of Conrad's name - Conrad, Konrad, and Korzeniowski, Conrad's original surname - in order to sign himself into several hotels in Sacramento. As in his youth, Kaczynski retained a copy of The Secret Agent, and kept it with him whilst living as a recluse in a hut in Montana.^[25]

Adaptations

Notes

^ Joseph Conrad, The Secret Agent, 1994, p. 5
^ Joseph Conrad, The Secret Agent: A Simple Tale 2004, p. xiv
^ Carola M. Caplan, Conrad in the Twentieth Century: Contemporary Approaches and Perspectives, p. 155.
^ Mulry, David. "Popular Accounts of the Greenwich Bombing and Conrad's 'The Secret Agent.'" Rocky Mountain Review of Language and Literature, 54.2 (2000), pp. 43-64
^ "Propaganda by Deed - the Greenwich Observatory Bomb of 1894".
^ Karl, Frederick R., ed. "Introduction." The Secret Agent (Signet, 1983), pp. 5-6
^ "Conrad, Joseph. Author's Note.".
^ Alex Houen, Terrorism and Modern Literature: From Joseph Conrad to Ciaran Carson, p. 14.
^ Joseph Conrad, The Secret Agent: A Simple Tale, 2004, p. xix.
^ Patrick Reilly, The Dark Landscape of Modern Fiction, p. 53.
^ Ronald Paulson, Sin and Evil: Moral Values in Literature, p. 328.
^ David Mulry, "The Anarchist in the House: The Politics of Conrad's The Secret Agent" in Allan H. Simmons and J.H. Stape, The Secret Agent: Centennial Essays, p. 2.
^ Joseph Conrad, The Secret Agent (London: Penguin, 1993), p. 35.
^ ^a ^b Leonard Orr, Ted Billy, and Theodore Billy, A Joseph Conrad Companion, pp. 167-168.
^ [1]Conrad, the literary outsider ignored by his adopted country - a piece documenting the 150th anniversary of the birth of Joseph Conrad. (accessed 4 May 2008)
^ [2]The True Classic of Terrorism - an article describing Conrad's works concerning terrorism. (accessed 4 May 2008)
^ "Q3019, 1919-PRESENT: READING LIST." (DOC). Retrieved on 2008-05-04.
^ "Reading Lists" (DOC). Retrieved on 2008-05-04.
^ "Recommended Reading List for A-Level" (DOC). Retrieved on 2008-05-04.
^ J. David Woodard, The America that Reagan Built, p. 180.
^ David Foster, cited in Douglas Evander Oswell, The Unabomber and the Zodiac, p. 140.
^ Douglas Evander Oswell, The Unabomber and the Zodiac, p. 140.
^ John Shelton Lawrence and Robert Jewett, The Myth of the American Superhero, p. 171.
^ "English Grad Student Plays Detective in Unabomber Case". Retrieved on 2008-05-04.
^ Alex Houen, Terrorism and Modern Literature: From Joseph Conrad to Ciaran Carson, p. 14.

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