Early life and educationSergiu Nicolaescu was born in Târgu Jiu, but he grew up in Timişoara, where his family moved when he was 5 years old. He graduated from the Polytechnic University of Bucharest as a mechanical engineer. After graduation he started to work as a camera operator. Film directorNicolaescu's debut as a director was in 1962 with the short film Scoicile nu au vorbit niciodată (Shells Have Never Spoken). His first feature film was the 1966 French-Romanian co-production Dacii (Les Guerriers). Nicolaescu continued his film-making career by directing a large number of movies and also starring in many of his own movies. Most of Nicolaescu's movies are centered on figures and events in Romanian history, and be they with a greater realism, they somehow followed the patterns of the historical movies in the Communist countries. During the Communist period, some of his movies were seen as ground-breaking through their way of publicly presenting Romanian history, while other insisted on a heroical dimension. For instance, the movie "Războiul independenţei" was the first Communist-era Romanian file to present a Romanian king (namely Carol I) in a positive fashion. On the other hand, Mircea (1989, also known as Proud Heritage) is less realized artistically, including elements of personality cult and a legendary, standardised version of reality, common in the European communist countries. Nevertheless, Mircea was officially blocked from distribution, until the Romanian Revolution of 1989 (All I've done was to present a differet state leader than Ceauşescu. He understood and stopped the movie [from premiere])[1]. After the latter, Nicolaescu expanded on historical themes, directing films that shed a positive light on Ion Antonescu, Romania's Axis-aligned dictator in the World War II period (his Începutul adevărului, also known as Oglinda), or glorified the World War I heroine Ecaterina Teodoroiu (Triunghiul morţii, "Triangle of Death"). An accomplished director of battle scenes, Nicolaescu allegedly produces 70-80 meters of useful shots in the time that the average other director would take to produce 12-15 meters.[2] Although his recent films have not been as popular as his earlier productions, he continues to direct new films, such as Orient Express (2004) or Cincisprezece (2005), a love story set against the background of the 1989 Revolution. PoliticianNicolaescu began a career as a politician after the Romanian Revolution and was elected to the Romanian Senate in 1992 as a member of the Romanian Social Democratic Party. Feature films
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