Along with the later modernisme, this movement ended a period of Catalan cultural decline commonly known as Decadència, that dated back at least to defeat in the War of the Spanish Succession (1701–1714)[1] and the subsequent Nueva Planta decrees, which suppressed Catalonia's traditional institutions, privileges, and fueros beginning January 16, 1716. Thus, the aim of this movement was the full restoration of Catalan as a language of culture, not only through the promotion of various forms of art, theatre and literature in this language, but also attempting to establish a normative standard for the language, something however not fully accomplished until the first quarter of the 20th century.
As with most of the other Romantic movements, it was noted for its admiration of the Middle Ages, which was often reflected in art, and in Barcelona, the literary contest known as Jocs Florals or Jocs de la Gaia Ciència was revived.
The Renaixença occurred not only in Catalonia proper, but also in other Catalan-speaking regions such as the Balearic Islands.[2]
A journal particularly associated with the movement was the magazine La Renaixença, from which the name was actually taken - originally spelt Renaixensa before the Fabrian Spelling Reform.
Frederic Soler, known as Pitarra, playwright who favoured colloquial Catalan of his time over more classical conventions.
Joaquim Rubió i Ors, poet, his moniker to be variously written as Lo Gayté del Llobregat, El Gaiter del Llobregat, among others (depending on the spelling used)
Renaixença, from the Nou diccionari 62 de la literatura catalana (2000). Page also contains extensive links to other reference-quality material. In Catalan.
