Pieces of April is a 2003 American dramedy film written and directed by Peter Hedges. In his commentary on the film's DVD release, Hedges says the inspiration for his screenplay was twofold - his mother's battle with and death from cancer, and a true story about a group of friends whose plans to prepare a communal Thanksgiving dinner were thwarted by a broken stove. The film debuted at the Sundance Film Festival.
Plot synopsisApril Burns, the eldest daughter in a highly dysfunctional family, lives in a small tenement apartment on the Lower East Side of Manhattan with her boyfriend Bobby. Although estranged from her family, she opts to invite them for Thanksgiving dinner, probably the last for her mother Joy, who is coping with breast cancer. The film focuses on three journeys: the family's arduous trek from suburbia to New York City, one puncutated by stops for Krispy Kreme doughnuts, bagles, Joy's frequent need for a restroom or a joint to ease her pain, a burial service for an animal they hit, and various arguments and recriminations; Bobby's efforts to find a suit so he can make a good impression on his girlfriend's relatives; and April's preparations for the meal, a near disaster when she discovers her oven is broken. With the help of various neighbors, she manages to assemble dinner, while learning to appreciate the importance of family and making some new friends in the process. Cast
Critical receptionIn his review in the New York Times, Elvis Mitchell called the film an "intelligent and touching farce" and added, "Mr. Hedges dances from one vignette to another with a mouthwatering finesse." [1] Roger Ebert of the Chicago Sun-Times said "it contains much good humor" and "has a lot of joy and quirkiness; it's well-intentioned in its screwy way, with flashes of human insight, and actors who can take a moment and make it glow." [2] In Rolling Stone, Peter Travers described it as "a playful comedy laced with heartbreak," adding, "It's Holmes who holds Pieces together . . . [she] nails every laugh without missing the dramatic nuances. She makes April and her movie well worth knowing." [3] Carla Meyer of the San Francisco Chronicle called the film " both heartfelt and tough-minded . . . [it] avoids sentimentality at every turn and truly earns both its laughs and its tears." [4] In Entertainment Weekly, Owen Gleiberman rated the film C, calling it a "glib comedy" and adding, "Hedges shoves his characters into sitcom slots and seals them there." [5] Awards and nominations
See alsoReferencesExternal links
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