In his obituary for Taylor, Tony Sloman gives several examples to illustrate Taylor's editing.[1] He writes:
By 1963 the British New Wave had beached, and Peter Taylor edited the superb This Sporting Life, the debut feature of the cine-literate director Lindsay Anderson. It is a remarkable study of working-class angst, with a cutting style like no other British feature before it, an ever-underrated achievement by Taylor, as Anderson received all the credit, as directors do. This Sporting Life remains, with The Bridge on the River Kwai, the supreme testament to Peter Taylor's craft and talent.
Taylor won an Academy Award for Film Editing for The Bridge on the River Kwai (1957), which was placed as the 23rd best American film ever made in the 2007 American Film Institute listing. David Lean directed the film, about whom Ken Dancyger has noted that, "Lean may have made few films, but his influence has far exceeded those numbers. The role of editing in his films may help explain that influence."[2] Lean himself had begun his own career as a film editor. Sloman comments on the relationship of Lean, Taylor, and the film's editing:[1]
...film industry wags may assert that the editing Oscar came with the letter of engagement on a David Lean film - and in later years it is certainly true that Lean, a former editor, would himself dictate the precise nature of the cutting - none the less, Peter Taylor had served a long apprenticeship with Lean. His Oscar for Kwai was an honest vindication of his talent, for Taylor physically edited the film into shape, working closely with Lean only on the final cut.
Selected Filmography
The director of each film is indicated within the parentheses.
