Odds Against Tomorrow is a 1959 film noir crime film produced and directed by Robert Wise. The movie, featuring Harry Belafonte, is the first noir of the classic period with a black protagonist. Belafonte selected Abraham Polonsky, who had written and directed Force of Evil, to write the script, which is based on a novel by William P. McGivern. As a blacklisted writer Polonsky used a front, John O. Killens, a black novelist and friend of Belafonte's. In 1997, the Writers Guild of America officially restored Polonsky's credit.1 Composer John Lewis of the Modern Jazz Quartet, contributed the film's jazz score. French director Jean-Pierre Melville credited this film with being a formative influence on his work and made references to it in his films.
PlotThe drama tells of David Burke (Ed Begley), a former policeman ruined when he refused to cooperate with State Crime Investigators. He has asked hard-bitten, racist ex-con Earl Slater (Robert Ryan) to rob an upstate bank with him, promising him $50,000 if the robbery is successful. Burke also recruits Johnny Ingram (Belafonte), a nightclub entertainer who doesn’t want the job but who is addicted to gambling and is in debt. At first Slater, who is supported by his girlfriend, Lorry (Shelley Winters), finds out Ingram is black and refuses the job but, realizing he needs the money, decides after all to join Ingram and Burke in the venture. When they embark on the robbery tension between Ingram and Slater mount. Cast
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