The Nunc dimittis (also Song of Simeon or Canticle of Simeon) is a canticle from a text in the second chapter of Luke (Luke 2:29–32) named after its first words in Latin.1
Simeon was a devout Jew who, according to the book of Luke, had been promised by the Holy Ghost that he would not die until he had seen the Saviour. When Mary and Joseph brought the baby Jesus to the Temple in Jerusalem for the ceremony of consecration of the firstborn son (not the circumcision, but rather after the time of Mary's purification: at least 40 days after the birth), Simeon was there, and he took Jesus into his arms and uttered words rendered variously as follows.
Master, now you are dismissing your servant in peace,
according to your word;
for my eyes have seen your salvation,
which you have prepared in the presence of all peoples,
a light for revelation to the Gentiles
and for glory to your people Israel.
Musical settings
Many composers have set the text to music, usually coupled with the Magnificat, as both the Magnificat and Nunc dimittis are sung (or said) during the Anglican service of Evening Prayer according to the Book of Common Prayer. The Nunc dimittis is sung or said during the Roman CatholicCompline service, the Eastern OrthodoxVespers, and the Anglican Night Prayer service (in Common Worship) as well. One of the most well-known settings in England is a plainchant theme of Thomas Tallis.
Literary settings
In conclusion to section two (The Queen of Air and Darkness), chapter six of T. H. White's The Once and Future King, the wise necromancer Merlyn recites the first few passages of the Nunc Dimittis in response to King Arthur's declaration of chivalry. Establishing a code in which those who enter his league of chivalry must swear an oath to use their might only for the purpose of good, Arthur has fulfilled Merlyn's expectations as a pupil and thus Merlyn is released from voluntary servitude as Arthur's mentor and tutor. Reciting the nunc dimittis determines the fact that Merlyn has instructed his pupil successfully and could be no more proud of his judgment and character in relation to his establishment of the code of chivalry.
The account has been rendered powerfully in poetic form by T. S. Eliot in A Song for Simeon
"...Before the stations of the mountain of desolation,
Before the certain hour of maternal sorrow,
Now at this birth season of decease,
Let the Infant, the still unspeaking and unspoken Word,