"Traditionally the goddess of love and fertility, Venus represents woman, erotic and supple, but it also conveys Knox Martin's love affair with New York. Venus is his love poem to the city where he has always lived, a place that is part of his being. The feminine, curvilinear shapes of the image are in direct contrast with the straight forms that intersect the composition. The overwhelming size of this enormous mural only intensifies the experience of female shapes, the linear aspects of the painted composition, and of the surrounding architecture. In an era when art was reaching out to the masses with pop culture, this huge mural was Knox Martin's way of touching a public that would never venture into an art gallery." [8]
The artist is best known for his repertory of signs and symbols that allude to nature and, in particular, to the female form. Flatly and freely painted in Pop colors, his works have often been executed on a grand scale, as in the outdoor wall painting, Woman with bicycle, at West Houston and MacDougal Streets in Manhattan.[10] He mostly creates painting, sculpture and wall paintings using media such as acrylic, collage, fresco, ink drawing (Pen and Ink), Mixed-Media/Multi-Media and oil.[11]