Kevin Barnes (born in Rocky River, OH on May 30, 1974) is the singer and songwriter for the indie rock group of Montreal, part of the Athens, Georgia-based Elephant 6 Collective.[1] Barnes started the band on his own and, although providing several stories as to the origin of the name, is said to have named it after a failed romance with a woman from Montreal. [2] The group has recorded nine full-length albums, and numerous EPs and 7" singles.
of MontrealOf Montreal consists of musicians Kevin Barnes, Bryan Poole (the Late B.P. Helium), Dottie Alexander, Jamey Huggins, Davey Pierce, and Ahmed Gallab. The group has recorded nine studio albums, beginning with Cherry Peel, and their ninth, Skeletal Lamping, is due to be released on October 7, 2008 on Polyvinyl.[4] While melodic pop as always been Barnes' primary vehicle, his style has managed to transform significantly since the 1997 release of Cherry Peel. The acoustic tendencies of early albums gradually transformed into a more electronic, funk, and overall eclectic sound. One of the features which often appears in Barnes' songwriting is his penchant for composing upbeat melodies to gloomy lyrics and morose subject matter. At different periods in the band's career he has dealt with subjects both personal and fictional. He is a prolific lyricist with a tendency to employ unusual words and phrases, as well as complicated worldplay. LyricsKevin Barnes' writing has encompassed many styles over the year. Of Montreal's first album Cherry Peel dealt mainly with personal issues of unrequited love, as in the songs Baby or Montreal, or humourous mundane situations, as in Tim I Wish You Were Born A Girl. His style then shifted to story-telling, often involving dialogues, as in Good Morning Mr. Edminton from the album Coquelicot Asleep In The Poppies : A Variety Of Whimsical Verse or fictional characters, such as Rose Robert or Jacques Lamure, or even fictional mythological creature, like the Efeblum.[5] The albums The Gay Parade, The Bedside Drama: A Petite Tragedy and Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse are constructed as concept albums, reminiscent of the works of some progressive rock icons of the 70's, such as David Bowie's Ziggy Stardust or Genesis' The Lamb Lies Down On Broadway. But by 2004, Kevin Barnes was starting to revert to more personal lyrics, even incorporating the names of the people close to him and using them as characters in his own songs, not unlike what John Lennon or Ray Davies used to do :
Kevin Barnes explained the reasons why he felt compelled to change his writing from personal to fictional and back to personal again in an interview with the music blog You Ain't No Picasso. [7], claiming the bad rewiews his first album got prevented him from writing anything from a personal point of view until he got married and his wife gave him the strength to tackle his own issues again. Sometimes construed as pretentious or far-fetched, his lyrics, though mostly concerned with dark themes, often betray a certain fondness for
On StageWith of Montreal, Barnes has always tried to cross the bridge between his love of theatre, comedy, and music, often resulting in interludes between songs - skits, slow-motion sword fights and surreal interaction between band members. Since the release of Hissing Fauna, Are You the Destroyer?, Barnes has been performing as his on-stage glam rock alter-ego, Georgie Fruit, first mentioned in "Labyrinthian Pomp," a song on their most recent album, Hissing Fauna, Are You the Destroyer?. The second half of the album comes after the twelve minute dark epic, "The Past is A Grotesque Animal," a track which stands out in the album and the rest of the of Montreal repertoire because of how it succumbs to dark thoughts of suicide and chemical imbalance, themes hinted at more cheerily elsewhere on the album. Kevin has said that the album shows his transformation to Georgie Fruit, as is evident in the variation in musical style from in album leading up to "The Past is a Grotesque Animal" and the songs after (including "Faberge Falls For Shuggie.") He has described Georgie Fruit as a black man in his forties who has undergone multiple sex changes. Georgie, Kevin told Pitchfork Media, was in a funk-rock band called Arousal back in the seventies. [8] Other projects
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