HistoryThe idea for the center dates back to 1933 when First Lady Eleanor Roosevelt discussed ideas for the Emergency Relief and Civil Works Administration to create employment for unemployed actors during the Great Depression.[1] In 1935, Congress held hearings on plans to establish a new Department of Science, Art and Literature and to build a monumental theater and arts building on Capitol Hill near the Supreme Court building. A small auditorium was added at the Library of Congress, but it had restrictions on its use. A congressional resolution in 1938 called for construction of a "public building which shall be known as the National Cultural Center" near Judiciary Square, but nothing materialized.[2] In 1950, the idea for a national theater resurfaced when U.S. Representative Arthur George Klein of New York introduced a bill to authorize funds to plan and build a cultural center as a memorial to President Franklin D. Roosevelt. The bill included provisions that the center would prohibit any discrimination of cast or audience. From 1955 to 1958, the idea was debated in Congress, amidst much controversy. In the summer of 1958, a bill was finally passed in Congress and on September 4, 1958, President Dwight D. Eisenhower signed into law the National Cultural Center Act which provided momentum for the project.[3] This was the first time in history that the federal government helped finance a structure dedicated to the performing arts. The legislation required a portion of the costs, estimated at $10-25 million, to be raised within five years of passage of the bill.[4] Edward Durrell Stone was selected as architect for the project in June 1959.[5] He presented preliminary designs to the President's Music Committee in October 1959, along with estimated costs of $50 million, double the original estimates of $25-30 million.[6] By November 1959, estimated costs had escalated to $61 million.[6] Despite this, Stone's design was well-received in editorials in The Washington Post, Washington Star, and quickly approved by the United States Commission of Fine Arts, National Capital Planning Commission, and the National Park Service.[7] FundraisingFundraising was led by the National Cultural Center Board of Trustees, which was set-up by Eisenhower on January 29, 1959.[4] Fundraising efforts were not successful, with only $13,425 raised in the first three years.[8] President John F. Kennedy was interested in bringing culture to the nation's capital, and provided leadership and support for the project.[9] In 1961, President Kennedy asked Roger L. Stevens to help develop the National Cultural Center, and serve as chairman of the Board of Trustees. Stevens recruited First Lady Jacqueline Kennedy as Honorary Chairman of the Center, and former First Lady Mamie Eisenhower as co-chairman.[10] National Cultural Center was renamed as the Kennedy Center in 1964, following the assassination of President Kennedy.[11] The total cost of construction was $70 million.[11] Congress allocated $43 million for construction costs, including $23 million as an outright grant and the other $20 million in bonds.[9] Funding was also provided through donations, including $5 million from the Ford Foundation, and approximately $500,000 from the Kennedy family.[12][13] Other major donors included J. Willard Marriott, Marjorie Merriweather Post, John D. Rockefeller III, and Robert W. Woodruff, as well as many corporate donors.[13] Gifts were also provided to the Kennedy Center from foreign countries, including a gift of 3,700 tons of Carrara marble from Italy (worth $1.5 million) from the Italian government, which was used in the building's construction.[14] Construction
Roger L. Stevens (left) watches as President Johnson breaks ground on December 2, 1964. This photograph is autographed by Johnson to Stevens.
President Lyndon B. Johnson dug the ceremonial first-shovel of earth at the groundbreaking for the Kennedy Center on December 2, 1964.[15] Though, debate continued for another year over the Foggy Bottom site, with some advocating for another location on Pennsylvania Avenue.[12] Excavation of the site got underway on December 11, 1965, and the site was cleared by January 1967.[16] The first performance was on September 5, 1971, with 2,200 members of the general public in attendance to see a premiere of Leonard Bernstein's Mass in the Opera House,[11] while the Center's official opening took place on September 8, 1971, with a formal gala and premiere performance of the Bernstein Mass.[17] The Concert Hall was inaugurated on September 9, 1971, in a performance by the National Symphony Orchestra conducted by Antal Dorati.[17] On Friday, September 10, 1971, Alberto Ginastera's opera, Beatrix Cenci debuted at the Kennedy Center's Opera House. ArchitectureThe Kennedy Center was designed by architect Edward Durrell Stone.[18] Overall, the building is 100 feet (30 m) high, 630 feet (190 m) long, and 300 feet (91 m) wide. The Kennedy Center features a 600-foot (180 m) long, 63-foot (19 m) high grand foyer, with 18 massive crystal chandeliers and red carpeting. The Hall of States and the Hall of Nations are both 250-foot (76 m) long, 63-foot (19 m) high corridors. The building has drawn criticism about its location (far away from Washington Metro stops), and for its scale and form,[18] although it has also drawn praise for its acoustics, and its terrace overlooking the Potomac River.[18] Cyril M. Harris designed the Kennedy Center's auditoriums and their acoustics.[19] A key consideration is that many aircraft fly along the Potomac River and overhead the Kennedy Center, as they take off and land at the nearby Ronald Reagan Washington National Airport. Helicopter traffic over the Kennedy Center is also fairly high. To keep out this noise, the Kennedy Center was designed as a box within a box, giving each auditorium an extra outer shell.[20] VenuesThe three main theaters at the Kennedy Center are the Opera House, Concert Hall, and the Eisenhower Theater. Concert HallThe Concert Hall, on the south side, seats 2,518. When it opened in 1971, the Concert Hall had a seating arrangement, similar to that used in many European halls such as Musikverein in Vienna.[17] The Concert Hall was renovated in 1997, and currently is state-of-the-art, with a high-tech acoustical canopy, and accessible locations on every level, and new seating sections (onstage boxes, chorister seats, and parterre seats). The Hadelands crystal chandeliers, a gift from Norway, were repositioned to provide a clearer view.[14] Behind the stage the 4,144-pipe organ is located. This was a gift from the Filene Foundation of Boston. The Concert Hall is the largest performance space in the Kennedy Center and is the home of the National Symphony Orchestra. Opera HouseThe Opera House, in the middle, has 2,318 seats. Its interior features include much red velvet, as well as a distinctive red and gold silk curtain, which was a gift from Japan.[14] The Opera House also features a Lobmeyr crystal chandelier, which was gift from Austria.[14] It is the major opera, ballet, and large-scale musical venue of the Center, and was closed for the 2003/2004 season for extensive renovations which provided a revised seating arrangement at the orchestra level plus re-designed entrances to this level. It is the home of the Washington National Opera and the annual Kennedy Center Honors. Eisenhower TheaterThe Eisenhower Theater, on the north side, seats 1,142 and is named for President Dwight D. Eisenhower. It primarily hosts plays and musicals, smaller-scale operas, ballet and contemporary dance. The theater contains an orchestra pit for 40 musicians that is convertible to a forestage or additional seating space. The walls are of East Indian laurel wood. The red and black stage curtain of hand-woven wool was a gift from Canada.[14] The Theater is being renovated beginning in May 2007 and will re-open sometime in 2008. Other performance venuesOther performance venues in the Center include:
"Performing Arts for Everyone" was designed to introduce the Kennedy Center and its programs to a far wider audience than ever before by providing a performance open to the public and free of charge 365 days a year. In addition, "Performing Arts for Everyone" initiatives include low- and no-cost tickets available to performances on every stage of the Kennedy Center, and several outreach programs designed to increase access to the Center's tickets and performances. EventsKennedy Center HonorsWikinews has related news:
Since 1978, the Kennedy Center Honors have been awarded annually by the Center's Board of Trustees. Each year, five artists or groups are honored for their lifetime contributions to American culture and the performing arts, including dance, music, theater, opera, film, and television.[21] The Center has awarded the Mark Twain Prize for American Humor since 1998. Regular performancesThe Kennedy Center houses a number of groups and institutions, including:
Other eventsDuring the American Bicentennial, numerous special events were held at the Kennedy Center throughout 1976, including six commissioned plays.[22] Free performances by groups from each state were also held at the Kennedy Center.[23] In December 1976, Mikhail Baryshnikov's version of The Nutcracker ballet played for two weeks.[24] The Kennedy Center also hosts special inauguration events and galas. In 1977, the Opera House hosted George Bernard Shaw's Caesar and Cleopatra with Rex Harrison and Elizabeth Ashley.[25] The American Ballet Theater has also frequently performed at the Kennedy Center.[26] Productions of Disney's The Lion King and Trevor Nunn's production of My Fair Lady (choreographed by Matthew Bourne) are slated for the 2007–2008 season.[27] RenovationsOn June 16, 1971, Congress authorized appropriations for one year to the Board of Trustees for operating and maintenance expenses.[28] In following years, the appropriations were provided to the National Park Service for operations, maintenance, security, safety and other functions not directly related to the performing arts functions.[28] The National Park Service and the Kennedy Center signed a cooperative agreement requiring each party to pay a portion of the operating and maintenance costs based on what proportion of time the building was to be used for performing arts functions.[29] The agreement did not specify who was responsible for long-term capital improvement projects at the Kennedy Center, along with only periodic funding by Congress for one-time projects, the condition of the facility had deteriorated by 1990.[29] In fiscal years 1991 and 1992, Congress recommended that $27.7 million be allocated for capital improvement projects at the Kennedy Center, including $12 million for structural repairs to the garage, and $15.7 for structural and mechanical repairs, as well as projects for improving handicapped access.[30] In 1994, Congress gave full responsibility to the Kennedy Center for capital improvement projects and facility management.[31] From 1995 to 2005, over $200 million of federal funds were allocated to the Kennedy Center for long-term capital projects, repairs, and to bring the center into compliance with modern fire safety and accessibility codes.[31] Improvements included renovation of the Concert Hall, Opera House, plaza-level public spaces, and a new fire alarm system.[32] The renovations projects were completed 13 to 50 percent over budget, due to modifications of plans during the renovations resulting in overtime and other penalties.[33] Renovations to the Eisenhower Theater are taking place into 2008.[27] ManagementMichael Kaiser, who came to the Center from the Royal Opera House Covent Garden in London with a reputation for major fundraising [34] is the current President. Earlier he headed the American Ballet Theatre, and founded a successful consulting firm called Kaiser Associates. He oversees all the artistic activities at the Kennedy Center, has increased the Center’s already broad educational efforts, established cross-disciplinary programming with opera, symphony and dance, established an Institute for Arts Management, created theater festivals[35] celebrating the works of Stephen Sondheim and Tennessee Williams, and arranged for continuing visits by Saint Petersburg’s Mariinsky Theater Opera, Ballet, and Orchestra, and the Royal Shakespeare Company.[36] References
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