Jules (Émile Frédéric) Massenet (May 12, 1842 – August 13, 1912) was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries. However, his style fell out of favor not long after his death; and, except Manon, his works were rarely performed. Since the mid-1970s, many of his operas have seen periodic revivals.
Massenet was born in Montaud, then an outlying hamlet and now a part of the city of Saint-Étienne, in the Loire. When he was eleven his family moved to Paris so that he could study at the Conservatoire there. To support himself at that time he worked as timpanist for six years at the opera house. [1]
In addition to his operas, he also composed concert suites, ballet music, oratorios and cantatas and about two hundred songs. Some of his non-vocal output has achieved widespread popularity, and is commonly performed: for example the Méditation religieuse from Thaïs, which is a violin solo with orchestra, as well as the Aragonaise, from his opera Le Cid and Élégie for solo piano. The latter two pieces are commonly played by piano students.
Massenet died at age 70, after suffering from a long illness (cancer).[2][3]
^ Both A. Hervey in his Massenet's biography (see external link) and Q. Eaton in Opera News (1976, On The Metropolitan Opera premiere of Esclarmonde) gave account of Massenet playing timpani in opera house, differing, however, where it took place: in Paris Grand Opéra or Théâtre Lyrique in Paris. Mr. Eaton mentions that Massenet witnessed disaster of Paris' premiere of Tannhäuser from behind his kettledrums while playing at Paris Opéra in 1861.