This entry concerns the history of ornamental gardening considered as an amenity of civilized life, as a vehicle for style, for conspicuous show and even an expression of philosophy. See also subsistence gardening, the art and craft of growing plants, considered as a circumscribed form of individual agriculture. Though cultivation of plants for food long predates history, the earliest evidence for ornamental gardens is seen in Egyptian tomb paintings of the 1500s BC; they depict lotus ponds surrounded by rows of acacias and palms. The other ancient gardening tradition is of Persia: Darius the Great was said to have had a "paradise garden" and the Hanging Gardens of Babylon were renowned as a Wonder of the World. Persian influences extended to post-Alexander's Greece: around 350 BC there were gardens at the Academy of Athens, and Theophrastus, who wrote on botany, was supposed to have inherited a garden from Aristotle. Epicurus also had a garden where he walked and taught, and bequeathed it to Hermarchus of Mytilene. Alciphron also mentions private gardens. The most influential ancient gardens in the western world were the Ptolemy's gardens at Alexandria and the gardening tradition brought to Rome by Lucullus. Wall paintings in Pompeii attest to elaborate development later, and the wealthiest of Romans built enormous gardens, many of whose ruins are still to be seen, such as at Hadrian's Villa. Byzantium and Moorish Spain kept garden traditions alive after the 4th century. By this time a separate gardening tradition had arisen in China, which was transmitted to Japan, where it developed into aristocratic miniature landscapes centered on ponds and separately into the severe Zen gardens of temples. In Europe, gardening revived in Languedoc and the Ile-de-France in the 13th century, and in the Italian villa gardens of the early Renaissance. French parterres developed at the end of the 16th century and reached high development under Andre le Notre. English landscape gardens opened a new perspective in the 18th century. The 19th century saw a welter of historical revivals and Romantic cottage-inspired gardening, as well as the rise of flower gardens, which became dominant in home gardening in the 20th century. 20th century gardening expanded into city planning. The historical development of garden stylesAncient Near EastAssyrian hunting parks and Persian paradise gardens
Rectangular fishpond with ducks and lotus planted round with date palms and fruit trees, in a fresco from the Tomb of Nebamun, Thebes, 18th Dynasty
A funerary model of a garden, dating to the Eleventh dynasty of Egypt, circa 2009–1998 BC. Made of painted and gessoed wood, originally from Thebes.
Egyptian GardensGardens were much cherished in the egyptian times and were kept both for secular purposes and attached to temple compounds. Gardens in private homes and villas before the New Kingdom were mostly used for growing vegetables and located close to a canal or the river. However, in the New Kingdom they were often surrounded by walls and their purpose incorporated pleasure and beauty besides utility. Garden produce made out an important part of foodstuff but flowers were also cultivated for use in garlands to wear at festive occasions and for medicinal purposes. While the poor kept a patch for growing vegetables, the rich people could afford gardens lined with sheltering trees and decorative pools with fish and waterfowl. There could be wooden structrures forming pergolas to support vines of grapes from which raisins and wine were produced. There could even be elaborate stone kiosks for ornamental reasons, with decorative statues. Temple gardens had plots for cultivating special vegetables, plants or herbs considered sacred to a certain deity and which were required in rituals and offerings like lettuce to Min. Sacred groves and ornamental trees were planted in front of or near both cult temples and mortuary temples. As temples were representations of heaven and built as the actual home of the god, gardens were laid out according to the same principle. Avenues leading up to the entrance could be lined with trees, courtyards could hold small gardens and between temple buildings gardens with trees, vineyards, flowers and ponds were maintained. The ancient Egyptian garden would have looked different to a modern viewer than a garden in our days. It would have seemed more like a collection of herbs or a patch of wild flowers, lacking the specially bred flowers of today. Flowers like the iris, chrysanthemum, lily and delphinium (blue), were certainly known to the ancients but do not feature much in garden scenes. Formal boquets seem to have been composed of mandrake, poppy, cornflower and or lotus and papyrus.
Hellenistic and Roman gardens
It is curious that although the Egyptians and Romans both gardened with vigor, the Greeks did not own private gardens. They did put gardens around temples and they adorned walkways and roads with statues, but the ornate and pleasure gardens that demonstrated wealth in the other communities is seemingly absent. Part maybe that blank areas in the historic landscape were assumed just that : blank. No one bothered to look for pollen or evidence of gardens. Part maybe that the modern technology is only just emerging, but the predominance of knowledge is that they just did not bother with gardens.
Islamic gardens
Chinese and Japanese gardens
Both Chinese and Japanese garden design traditionally is intended to evoke the natural landscape of mountains and rivers. However, the intended viewpoint of the gardens differs: Chinese gardens were intended to be viewed from within the garden and are intended as a setting for everyday life. Japanese gardens, with a few exceptions, were intended to be viewed from within the house, sort of like a diorama. Additionally, Chinese gardens more often included a water feature, while Japanese gardens, set in a wetter climate, would often get by with the suggestion of water. (Such as sand or pebbles raked into a wave pattern.) Traditional Chinese gardens are also more likely to treat the plants in a naturalistic way, while traditional Japanese gardens might feature plants sheared into mountain shapes. This contrasts with the handling of stone elements: in a Japanese garden, stones are placed in groupings as part of the landscape, but in a Chinese garden, a particularly choice stone might even be placed on a pedestal in a prominent location so that it might be more easily appreciated. European gardens: Medieval
European gardens: Italian Renaissance
The Medici Villa Petraia, near Florence, laid out by Niccolò Tribolo, epitomizes the Italian garden of the early Renaissance, before the grander architectural schemes of the 16th century
European gardens: French Baroque
Characterized by a centrally positioned building, elaborate parterres, radiating axis, fountains, basins and canals. Gardens of this typology are also designed with an interest in mathematics and science. Perspective is highly designed for to create a sense of power for the owner. The Gardens of Versailles represent one of the finest examples of the French Baroque garden. European gardens: Anglo-Dutch gardens
Landscape gardens
Romantic gardensPicturesque gardens'Gardenesque' gardensThe 'Gardenesque' style of English garden design evolved during the 1820s from Humphry Repton's Picturesque or 'Mixed' style, largely under the impetus of J. C. Loudon, who invented the term. In a Gardenesque plan, all the trees, shrubs and other plants are positioned and managed in such a way that the character of each plant can be displayed to its full potential. With the spread of botany as a suitable avocation for the enlightened, the Gardenesque tended to emphasize botanical curiosities and a collector's approach. New plant material that would have seemed bizarre and alien in earlier gardening found settings: Pampas grass from Argentina and Monkey-puzzle trees. Winding paths linked scattered plantings. The Gardenesque approach involved the creation of small-scale landscapes, dotted with features and vignettes, to promote beauty of detail, variety and mystery, sometimes to the detriment of coherence. Artificial mounds helped to stage groupings of shrubs, and island beds became prominent features. Pattern gardens: revived parterres"Wild" gardens and herbaceous bordersThe books of William Robinson describing his own "wild" gardening at Gravetye Manor, Sussex, and the sentimental picture of a rosy, idealized "cottage garden" of the kind pictured by Kate Greenaway, which had scarcely existed historically, both influenced the development of the mixed herbaceous borders that were advocated by Gertrude Jekyll from the 1890s. Her plantings, which mixed shrubs with perennial and annual plants and bulbs in deep beds within more formal structures of terraces and stairs designed by Edwin Lutyens, set the model for high-style, high-maintenance gardening until the Second World War. Vita Sackville-West's garden at Sissinghurst Castle, Kent is the most famous and influential garden of this last blossoming of romantic style, publicized by the gardener's own gardening column in The Observer. In the last quarter of the 20th century, less structured Wildlife gardening emphasized the ecological framework of similar gardens using native plants. Modern gardens
Historic gardenersThe following names, roughly in historical order, made contributions that affected the history of gardens, whether as botanist explorers, designers, garden-makers, or writers. Further information on them will be found under their individual entries.
Notable historic gardensChina
England
France
India
IraqIrelandItalyJapanNetherlandsPakistanPoland
RussiaSpainUkraine
United States
References
See also
External links
| |