Identification is a term used in literary and film studies to describe a psychological relationship between the reader of a novel and a character in the book, or between a spectator in the audience and a character on screen. In both cases, readers and spectators see themselves in the fictional character.
Identification is usually supposed to be largely unconscious: a reader may be aware that she likes a given character, but not that she actually see that character as an alter ego, a version of her, or a projection of her aspirations for herself. It would be a mistake to think all heroes foster identification, or that all villains inhibit identification—many, perhaps even most, characters elicit some degree of identification on the part of the reader or spectator.
