Dust and scratchesDust and scratches on the film can be a big problem for scanning. Because of their reduced size (compared to prints) the scanners are capable of resolutions much higher than a regular flatbed scanner; typically at least 2000 samples per inch (spi), up to 4000 spi or more. At these resolutions dust and scratches take on gigantic proportions. Even small specks of dust, invisible to the naked eye, can obscure a cluster of several pixels. For this reason, techniques have been developed to remove their appearance from a scan, see film restoration. The simplest is the median filter, often called despeckle in many graphic manipulation programs, e.g. in Adobe Photoshop and the GIMP. It works by examining a pixel in relation to the pixels surrounding it; if it is too different from the surrounding pixels then it is replaced with one set to their median value. This and other methods can be quite effective, but have the disadvantage that the filter cannot know what actually is dust or noise. It will also obliterate fine detail in the scan. Infrared cleaningInfrared cleaning works by collecting an infrared channel from the scan at the same time as the visible colour channels (red, green, and blue). This is done by using a light source that also produces infrared radiation, and having a fourth row of sensors on the linear CCD sensor. Photographic film is mostly transparent to infrared radiation (no matter what the visible image contains) but dust and scratches aren't, so they show up in the IR channel. This information can then be used to automatically remove the appearance of dust and scratches in the visible channels and replace them with something similar to their surroundings. A major limitation of this technique is that it can only be used on dye-based (color and chromogenic black-and-white) films; the image-forming silver particles in most black-and-white film stocks are opaque to infrared radiation. Scanner manufacturers usually have their own name attached to this technique. Kodak developed Digital ICE at their Austin development centre, and is licensed by Epson, Nikon, Microtek and some others. Canon developed its own FARE (Film Automatic Retouching and Enhancement) system. See alsoExternal links
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