Augustin Eugène Scribe (December 24, 1791 – February 20, 1861), was a French dramatist and librettist. He is best known for the perfection of the so-called "well-made play" (pièce bien faite). This dramatic formula was a mainstay of popular theater for over 100 years.
Biography
Scribe was born in Paris. His father was a silk merchant, and he was well educated, being destined for the law. However, he soon began to write for the stage. His first piece, Le Prétendu sans le savoir, was produced anonymously at the Variétés in 1810, and was a failure. Numerous other plays, written in collaboration with various authors, followed; but Scribe achieved no distinct success till 1815.
Scribe's main subject matter was the contemporary bourgeoisie. He mastered his craft writing comédies vaudevilles, short middle-class entertainments, often with songs. He wrote very popular pieces with elaborate plots full of clever twists. What they lack, it is generally thought, is depth of character, thought, or social criticism. They stand in sharp contrast, for example, to Romantic plays of the same period, such as those of Victor Hugo.
His first major success was Une Nuit de la garde nationale (Night of the National Guard, 1815), a collaboration with Delestre Poirson. Much of his later work was also written in collaboration with others.
He was extremely prolific. He wrote every kind of drama--vaudevilles, comedies, tragedies, opera-libretti. To the Gymnase theatre alone he is said to have furnished a hundred and fifty pieces before 1830. He had a number of co-workers, one of whom supplied the story, another the dialogue, a third the jokes and so on. He is said in some cases to have sent sums of money for "copyright in ideas" to men who were unaware that he had taken suggestions from their work. Among his collaborators were Jean Henri Dupin (1787-1887), Germain Delavigne, Delestre-Poirson, Mélesyule (AHJ Duveyrier), Marc-Antoine Madeleine Désaugiers, Xavier Saintine and Ernest Legouvé.
His debut in serious comedy was made at the Théâtre Français in 1822 with Valérie, the first of many successful plays. His understandng of the mechanism of the stage and of the tastes of the audience was wonderful. For purely theatrical ability he is unrivalled, and his plays are still regarded as models of dramatic construction. Moreover he was for fifty years the best exponent of the ideas of the French middle classes, so that he deserves respectful attention, even though his style be vulgar and his characters commonplace.
He wrote a few novels, but none of any mark.
The best-known of Scribe's comedies are:
Bertrand et Suzette; ou Le Mariage de raison (1826)
Bertrand et Raton, on l'art de conspirer (The School for Politicians, 1833)
Une Chaine (1842)
Le Verre d'eau (The Glass of Water, 1842)
Adrienne Lecouvreur (1849), in conjunction with Legouvé
