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| Death on the Nile | |
 Dust-jacket illustration of the first UK edition |
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| Author | Agatha Christie |
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| Cover artist | Robin Macartney |
| Country | United Kingdom |
| Language | English |
| Genre(s) | Crime novel |
| Publisher | Collins Crime Club |
| Publication date | November 1 1937 |
| Media type | Print (Hardback & Paperback) |
| Pages | 288 pp (first edition, hardback) |
| ISBN | NA |
| Preceded by | Dumb Witness |
| Followed by | Appointment with Death |
Death on the Nile is a work of detective fiction by Agatha Christie and first published in the UK by the Collins Crime Club on November 1, 1937[1] and in the US by Dodd, Mead and Company the following year[2][3]. The UK edition retailed at seven shillings and sixpence (7/6)[4] and the US edition at $2.00[3].
The book features the Belgian detective Hercule Poirot. The action takes place in Egypt, mostly on the Nile River.
Contents |
Plot introduction
While dining at chic restaurant, Chez Ma Tante, Poirot overhears Jacqueline de Bellefort and Simon Doyle speaking to one another, and is concerned by the depth of her love for him. When next he meets her it is far away, in Egypt, and Simon Doyle is married to the woman who was once Jacqueline de Bellefort's best friend: the wealthy and beautiful Linnet Ridgeway. Jacqueline seems determined to have her revenge on them both. Can Poirot persuade her to abandon a course of action that promises disaster to everyone?
Plot summary
Linnet Ridgeway is a very rich and beautiful young woman who almost have everything. Her first fiancee is Charles Windlesham but Linnet refused to marry him. Later, she met Jacqueline's fiancee named Simon Doyle and later Simon Doyle and Linnet married. Simon and Linnet Doyle went to Egypt to have their honeymoon but suddenly, Jacqueline was there. They also boarded the boat named S.S. Karnak in the Nile river. Once again, Jacqueline was in the boat. When a boulder is apparently aimed at Linnet's head on a visit ashore, Jacqueline is immediately suspected but proves to have been away from where the incident takes place. (This later proves to be a piece of misdirection.The boulder was dislodged, possibly by accident but more likely on purpose, by Linnet's American legal representative, Mr. Pennington, who is keen to conceal irregularities in his dealings on her behalf. Jim Fanthorp, working for Linnet's English legal representatives, has been sent incognito to thwart Pennington's plans.)
In the boat were also the romantic novel writer Salome and her daughter Rosalie Otterbourne, Mrs. Allerton and her son Tim Allerton, Linnet's lawyer and trustee Andrew Pennington, the rich elderly American snob Miss Van Schuyler, Miss Schuyler's niece Cornelia Robson, Miss Schuyler's nurse Nurse Bowers, Linnet's maid Louise Bourget, Mr. Ferguson, the Italian archeologist Signor Richetti, James Fanthorp, the Austrian doctor Dr. Bessner and of course Linnet and Simon Doyle and their enemy Jacqueline De Bellefort.
In the observation saloon in the boat, wherein Jacqueline De Bellefort, Simon Doyle and Cornelia Robson remaining in the saloon(James Fanthorp is also there but later left), Jacqueline shoots Simon in the leg. Jacqueline dropped the little pistol and kicked it and went under a settee. Cornelia witnessed it and she called James. Cornelia and James had taken Jacqueline back to her cabin while Simon left struggling in the saloon. Nurse Bowers also helped Jacqueline to be calm and sleep. James knocked Dr. Bessner's room and told him to help Simon Doyle in the saloon who is shot in the leg. After many minutes, James and Dr. Bessner had taken Simon to Dr. Bessner's cabin. Simon Doyle was confined in Dr. Bessner's cabin. After that James reported that the gun is missing.
In the following day, Colonel Race told Poirot that Linnet Doyle was shot through the head. While Race and Poirot was in the cabin of Linnet, Poirot saw a big letter J in the wall. If the J means Jacqueline De Bellefort, why is the gun missing/thrown into the Nile river? Some evidences are also seen by Poirot like a two bottles of nail polish in Linnet's room. One of the nail polish bottles is called a "Cardinal", a deep dark red. The other bottle was labeled "Rose", which is a shade of pale pink, but the few drops remaining in the bottle were not pale pink but a bright red.
Later the gun used to kill Linnet, was found, wrapped in a handkerchief. Inside the handkerchief was Ms. Van Schuyler's velvet stole and Jacqueline's gun. Later the real pearls of Linnet were missing, and later some passengers told them that they heard a splash, later Poirot had known that it was Rosalie who had thrown her mother's liquors and caused a big splash. Indeed Mrs. Otterbourne lied earlier that she is not drinking wines,liquors etc. but Rosalie discovered that her mother is drinking.
While lunch, Colonel Race told the passengers(which indeed might be the murderer) to stay in the dining saloon while Poirot and Race will investigate each room to find the missing pearls of Linnet. But Nurse Bowers went to Poirot and Race and returned the missing pearls. Nurse Bowers told them that it was the elderly Ms. Schuyler who had taken it(indeed Ms. Schuyler have [5]kleptomaniac[6]). But Poirot had known that the pearls Nurse Bowers returned are fake. If so, where are the real pearls?
While Poirot and Colonel Race visits Dr. Bessner's cabin, and within earshot of Bessner and Simon (who is confined there while convalescing) Louise Bourget, Linnet's maid, says something to Poirot that is taken to imply that she could have seen the murderer. Soon afterward, she was discovered dead in her cabin, stabbed to the heart of one of Dr. Bessner's scalpel in her cabin. There is the torn corner of a thousand-franc note in her hand that clearly indicated that she had attempted to blackmail the murderer with fatal consequences. Soon afterwards Salome Otterbourne went to Dr. Bessner's cabin(and in Dr. Bessner's cabin was Simon who is confined, Poirot and Colonel Race)attempted to reveal Louise Bourget's killer and before Mrs. Otterbourne was to reveal the name she was shot through the open door in Dr. Bessner's cabin.
Poirot, soon afterwards, revealed the murderers and it is discovered that Simon and Jacqueline have worked together. The original shooting was staged, leaving a stray bullet lodged in the leg of a table. As soon as he was left alone Simon retrieved the pistol, ran to Linnet's cabin and shot her, and added the J as an incriminating (though unduly theatrical) detail. He then retraced his steps, shot himself in the leg using the shawl to muffle the second shot and, incapable of moving, threw the pistol through a window to dispose of it, in time to be discovered by Dr. Bessner with a real injury.
Jacqueline has been forced to commit the second and third murders in an attempt to cover their tracks. Louise Bourget dropped the hint to Poirot in front of Simon because this was the only way that she could begin to blackmail him while he was confined to Bessner's cabin. When Jacqueline visits Simon Doyle, Simon told Jacqueline that the maid was blackmailing him so Jacqueline took Dr. Bessner's sclapel, went to Louise cabin and stabbed Louise. When he realized that Mrs. Otterbourne was about to reveal Jacqueline's role in Louise's murder, Simon cried out in an apparently fevered state, warning Jacqueline to make the desperate shot through the open door. Jacqueline used Andrew Pennington's gun.
All along, Simon married Linnet to gain her money. Jacqueline planned Linnet's murder as she knew if Simon did it by himself, he would be caught, hence she must come in to protect him. It seems that they will only be united in court, but Poirot allows them to escape justice when she shoots first Simon and then herself with a second pistol. The spy turns out to be Mr. Richetti, whose coded letter was opened in error by Linnet early in the novel. The jewel thief is indeed was Tim Allerton, with Joanna Southwood's help but Poirot allows him to replace the pearl necklace voluntarily and avoid prosecution, largely so that he can marry Rosalie and provide one of the novel's minor happy endings. The other one is the marriage of Cornelia Robson to Dr. Bessner. Mr. Ferguson, a strident left-winger who proves be a member of the British aristocracy travelling in disguise, was also a suitor for Cornelia's hand, but is quite possibly as surprised as the reader that he has lost out to the rather unprepossessing Bessner.
Characters in "Death on the Nile"
- Hercule Poirot, the famous Belgian detective
- Colonel Race, a friend of Poirot's with espionage connections
- Linnet Ridgeway Doyle, rich heiress, very beautiful and the victim, almost got everything in her life
- Simon Doyle, Linnet's husband, very handsome and Jacqueline's former fiancée
- Jacqueline de Bellefort, Simon's former fiancée
- Louise Bourget, Linnet's French maid
- Andrew Pennington, Linnet's American lawyer and trustee
- Marie Van Schuyler, a very wealthy elderly American snob
- Miss Bowers, Miss Schuyler's nurse
- Cornelia Robson, Ms. Schuyler's niece
- Salome Otterbourne, writer of risque romantic novels with a turban in her head
- Rosalie Otterbourne, Salome's good-looking daughter
- Signor Richetti, an Italian archeologist
- Mr. Ferguson, an Englishman with radical leftist ideals
- Mr. James Fanthorp, a shy Englishman
- Dr. Carl Bessner, an Austrian doctor
- Mrs. Allerton, British socialite
- Tim Allerton, Mrs. Allerton's son
- Fleetwood, Linnet's former maid's ex-fiancee
- Joanna Southwood, friend of Linnet's and cousin of Tim Allerton
- Charles, Marquess of Windlesham, Linnet's former fiance
Literary significance and reception
The Times Literary Supplement's short review of November 20, 1937 by Caldwell Harpur concluded, "Hercule Poirot, as usual, digs out a truth so unforeseen that it would be unfair for a reviewer to hint at it".[7]
In The New York Times Book Review for February 6, 1938, Isaac Anderson concluded after summarising the set-up of the plot that, "You have the right to expect great things of such a combination [of Agatha Christie and Hercule Poirot] and you will not be disappointed."[8].
In The Observer's issue of November 14, 1937, "Torquemada" (Edward Powys Mathers) started off by saying, "First this week comes Agatha Christie. She scored, I contend, two outers in her last three shots; but she is back on the very centre of the bull with Death on the Nile." He summarised the set-up of the plot and then continued, "Terrible things happen and, without the formality of breaking off her narrative to issue a challenge, the author allows Poirot to summarise his clues in one compressed paragraph sixty pages from the end. It is after that, until the retired but by no means retiring little Belgian chooses to tell us the truth, that we are very angry with ourselves indeed. When he does so, anger is swallowed up in admiration. The appearance of corpse after corse in the feast of death is entirely logical, and the main alibi, unshakeable except for Poirot, is of the first brilliance. It is no less likely than the run of such things in fiction, and is built not with many preliminary falsifications but almost in a single carefully premeditated flash of movement." He concluded, "Though less than secondary, the descriptive work is adequate and hits, as it were, the Nile on the head."[9]
The Scotsman of November 11, 1937 said, "An Agatha Christie story, and especially one with Hercule Poirot applying his 'little grey cells,' is always an event. It is a matter of opinion whether this author has a superior in giving an unexpected twist to concluding chapters, but it is arguable that she has none. In Death on the Nile, however, the solution of the mystery does not come with all that sudden shock of surprise to which Agatha Christie 'fans' are accustomed. At least it should not, providing that one carefully reads a certain chapter and is willing to pursue to their ultimate implications certain hints dropped by Poirot. Whether or not the reader will succeed in naming the murderer, by which is meant discovering how the crime was committed, and not just guessing at one of the least likely persons, is another matter. In any case, here is a problem eminently worth trying to solve." The review finished by saying that, "the author has again constructed the neatest of plots, wrapped it round with distracting circumstances, and presented it to what should be an appreciative public.[10]
E.R. Punshon of The Guardian in his review of December 10, 1937 began by saying, "To decide whether a writer of fiction possesses the true novelist's gift it is often a good plan to consider whether the minor characters in his or her book, those to whose creation the author has probably given little thought, stand out in the narrative in their own right as living personalities. This test is one Mrs. Christie always passes successfully, and never more so than in her new book." He went on to summarise the more outlandish traits of some of the characters and then said, "each and all of these, as well their more normal fellow-passengers, are firmly and clearly sketched, even if they are all a little too much types rather than characters and so miss that full rotundity of life a Dickens or a Thackeray can give." He finished by saying that, "M. Poirot's little grey cells had indeed been obliged to work at full pressure to unravel a mystery which includes one of those carefully worked out alibis that seem alike to fascinate Mrs. Christie and to provide her with the best opportunities for displaying her own skill. A fault-finding critic may, however, wonder whether M. Poirot is not growing just a little too fond of keeping to himself such important facts as the bullet-hole in the table. If he is to enjoy all, a reader should also know all."[11]
Mary Dell in the Daily Mirror of November 11, 1937 said, "Agatha Christie is just grand. Usually if you get a good plot there is something wrong with the writing or the characters. But with her – you have everything that makes a first-class book."[12]
Robert Barnard: "One of the top ten, in spite of an overcomplex solution. The familiar marital triangle, set on a Nile steamer. Comparatively little local colour, but some good grotesques among the passengers – of which the film took advantage. Spies and agitators are beginning to invade the pure Christie detective story at this period, as the slide towards war begins."[13]
References to other works
- Death on the Nile is also the title of a short story by Christie published in 1934 in the volume Parker Pyne Investigates. Apart from the setting and title, the stories are not similar.
- In Part II, Chapter 21 of the novel, Poirot mentions having found a scarlet kimono in his luggage. This refers to the plot in Murder on the Orient Express.
Film, TV and theatrical adaptations
Murder on the Nile
Agatha Christie adapted the novel into a stage play which opened at the Dundee Repertory Theatre on January 17, 1944[14] under the title of Hidden Horizon and opened in the West End on March 19, 1946 under the title Murder on the Nile and on Broadway on September 19, 1946 under the same title.
Kraft Television Theatre
A live television version of the novel under the name of Murder on the Nile was presented on July 12, 1950 in the US in a one-hour play as part of the series Kraft Television Theatre. The stars were Guy Spaull and Patricia Wheel.
Death on the Nile (1978 film)
The novel was adapted into a highly-successful feature film, released in 1978 and starring Peter Ustinov for the first of his six appearances as Poirot.
BBC Radio 4 adaptation
The novel was adapted as a five part serial for BBC Radio 4 in 1997. John Moffatt reprised his role of Poirot. The serial was broadcast weekly from Thursday, January 2 to Thursday, January 30 at 10.00am to 10.30pm. All five episodes were recorded on Friday, July 12, 1996 at Broadcasting House.
Adapator: Michael Bakewell
Producer: Enyd Williams
Cast:
John Moffatt as Hercule Poirot
Donald Sinden as Colonel Race
Amanda Barton-Chapple as Jacqueline de Bellefort
Robert Daws as Simon Doyle
Elaine Pyke as Linnet Ridgeway
Rosemary Leach as Mrs Allerton
Nicholas Boulton as Tim Allerton
Shirley Dixon as Mrs Otterbourne
Irene Sutcliffe as Mrs Van Shuyler
Teresa Gallagher as Cornelia
Stratford Johns as Pennington
Joanna Monro as Joanna Southwood
Sean Baker as Monsieur Blondin
Ed Bishop as Rockford
Roger May as Fanthorp
Keith Drinkel as Dr. Bessner
Robert Portal as Ferguson
Ioan Meredith as Richetti
Janet Maw as Miss Bowers
with Timothy Bateson, Chris Palvo, Christopher Scott and Ben Thomas
Agatha Christie's Poirot
Death on the Nile, a television adaptation shown in 2004 in the series Agatha Christie's Poirot, starred David Suchet as Poirot. This version changed the romantic pairing of Tim Allerton and Rosalie Otterbourne: Instead of the pair ending up happily together, Tim gently refuses her, implying that he is a homosexual.
PC adaptation
Death on the Nile was turned into a PC game, Agatha Christie: Death on the Nile, in 2007 by Flood Light Games, and published as a joint venture between Oberon Games and Big Fish Games. The player takes the role of Hercule Poirot as he searches various cabins of the Karnak for clues, and then questions suspects based on information he finds.
Graphic novel adaptation
Death on the Nile was released by HarperCollins as a graphic novel adaptation on July 16, 2007, adapted by François Rivière and Solidor (Jean-François Miniac) (ISBN 0-00-725058-4). This was translated from the edition first published in France by Emmanuel Proust éditions in 2003 under the title of Mort sur le Nil.
Publication history
- 1937, Collins Crime Club (London), November 1, 1937, Hardback, 288 pp
- 1938, Dodd Mead and Company (New York), 1938, Hardback, 326 pp
- 1944, Avon Books, Paperback, 262 pp (Avon number 46)
- 1949, Pan Books, Paperback, 255 pp (Pan number 87)
- 1953, Penguin Books, Paperback, (Penguin number 927), 249 pp
- 1960, Fontana Books (Imprint of HarperCollins), Paperback, 253 pp
- 1963, Bantam Books, Paperback, 214 pp
- 1969, Greenway edition of collected works (William Collins), Hardcover, 318 pp
- 1970, Greenway edition of collected works (Dodd Mead), Hardcover, 318 pp
- 1971, Ulverscroft Large-print Edition, Hardcover, 466 pp ISBN 0-85-456671-6
- 1978, William Collins (Film tie-in), Hardback, 320 pp
- 2006, Poirot Facsimile Edition (Facsimile of 1937 UK First Edition), HarperCollins, September 4, 2006, Hardback, ISBN 0-00-723447-3
The book was first serialised in the US in The Saturday Evening Post in eight instalments from May 15 (Volume 209, Number 46) to July 3, 1937 (Volume 210, Number 1) with illustrations by Henry Raleigh.
References
- ^ The Observer October 31, 1937 (Page 6)
- ^ John Cooper and B.A. Pyke. Detective Fiction - the collector's guide: Second Edition (Pages 82 and 86) Scholar Press. 1994. ISBN 0-85967-991-8
- ^ a b American Tribute to Agatha Christie
- ^ Chris Peers, Ralph Spurrier and Jamie Sturgeon. Collins Crime Club – A checklist of First Editions. Dragonby Press (Second Edition) March 1999 (Page 15)
- ^ Insert footnote text here
- ^ Insert footnote text here
- ^ The Times Literary Supplement November 20, 1937 (Page 890)
- ^ The New York Times Book Review February 6, 1938 (Page 18)
- ^ The Observer November 14, 1937 (Page 7)
- ^ The Scotsman November 11, 1937 (Page 15)
- ^ The Guardian December 10, 1937 (Page 6)
- ^ Daily Mirror November 11, 1937 (Page 24)
- ^ Barnard, Robert. A Talent to Deceive – an appreciation of Agatha Christie - Revised edition (Page 192). Fontana Books, 1990. ISBN 0006374743
- ^ University of Glasgow page on play
External links
- Death on the Nile at the official Agatha Christie website
- Murder on the Nile (1946) at the Internet Broadway Database
- Murder on the Nile (1950 television play) at the Internet Movie Database
- Death on the Nile (1978) at the Internet Movie Database
- Death on the Nile (2004) at the Internet Movie Database
