Early lifeDenis was born in Paris, France, and raised in colonial Africa, where her father was a French official. She moved houses every two years because her father wanted them to know about geography. She used to watch the old damaged copies of war films that America would send when she was growing up in Africa. As an adolescent she loved to read. She would read all the required material in school, but would then sneak her mother's detective stories at night.[1] CareerDenis initially studied economics, but, she has said, "It was completely suicidal. Everything pissed me off."[1] She then went to the IDHEC, the French film school, at the encouragement of her husband. He told her she needed to figure out what she wanted to do.[1] She graduated from the IDHEC, and served as assistant to Jacques Rivette, Costa-Gavras, Jim Jarmusch, and Wim Wenders. Her debut feature film Chocolat (1988), a semi-autobiographical meditation on African colonialism, won her critical acclaim. With films such as US Go Home (1994), Nénette et Boni (1996), Beau travail (1999), Trouble Every Day (2001), and Vendredi soir (2002) she established a reputation as a filmmaker who "has been able to reconcile the lyricism of French cinema with the impulse to capture the often harsh face of contemporary France."[2] Denis was a band leader, worked as an actress, notably in Venus Beauty Institute (2000), and directed for French TV. Two of her movies (L'Intrus and her contribution to Ten Minutes Older: The Cello) were inspired by the French philosopher Jean-Luc Nancy.citation needed StyleShe prefers location work over studio work. She sometimes places her actors as if they were positioned for still photography. She uses longer takes with a stationary camera and frames things in long shot, resulting in fewer close ups. This is most likely from the influence of Wenders and Jarmusch. FilmographyFeature films
Short films
Documentary films
Additional reading
References
External links
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