3 Feet High and Rising is the influential debut album from American hip-hop trio De La Soul, released in 1989. The album marked the first of three full-length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. It's consistently placed on 'greatest albums' lists by noted music critics and publications[1]. Robert Christgau called the record "unlike any rap album you or anybody else has ever heard."[2] In 1998, the album was selected as one of The Source Magazine's 100 Best Rap Albums[3]. A critical, as well as commercial success, the album contains the group's best known songs such as "Me Myself and I", "Buddy", and "Eye Know". On October 23, 2001, the album was re-issued along with an extra disc of hard-to-find B-side tracks, and alternative versions. The album's title is taken from a line in a Johnny Cash song called "Five Feet High and Rising".
OverviewReleased amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a "hippie" group, based on their declaration of the "D.A.I.S.Y. Age" (da inner sound, y'all). Sampling artists as diverse as Johnny Cash, Hall & Oates, Steely Dan's "Peg" and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap). Of particular importance is the production by Prince Paul, who would become one of hip hop's hottest producers on the strength of this album. While sampling was hardly new, 3 Feet High and Rising revolutionized the technique and influenced virtually every producer and artist to come later. The musicLyrically, the album was unusual for its time. Even beside its exhortations for peace and harmony, many of the songs are personal and heartfelt recountings of early sexual intercourse ("Jenifa Taught Me"), love ("Eye Know") and insecurity regarding personal appearance and fashion ("Can U Keep a Secret", "A Little Bit of Soap" "Take It Off"). With the exception of "Do As De La Does", there is very little profanity on the album, in contrast to most hip hop albums from the time period. Many of the lyrics are humorous and/or nonsensical, and are inventive and original, stylistic predecessors of MF Doom and Busta Rhymes; Posdnous compares the rhymes to dance in "The Magic Number" ("the phrasing Fred Astaires"). Many of the listeners who compared the group to hippies criticized the album for a childlike, simple approach at complex issues, as on "Tread Water", where a series of animals exhort the listener to maintain a positive mental attitude. Supporters point to songs like "Say No Go" as a realistic portrayal of the pitfalls of drug abuse. The title, besides being a Hall & Oates sample, is a reference to Nancy Reagan's "Just Say No" campaign; Posdnous criticizes Reagan, but applauds the sentiment. The song was deeply personal for Posdnous, whose own brother was addicted to crack cocaine. The first track, entitled "Intro", is a skit that takes place at a game show. The contestants (portrayed by the three members of De La Soul plus producer Prince Paul) are asked four questions by the host (Al Watts), and their attempts at answering are scattered about the album. The song "Ghetto Thang" is one of the few non-positive tracks on the album. It is a sad story about poverty and other social ills, even though De La Soul is from middle-class suburb Amityville, New York (on Long Island). Its denunciation of ghetto violence can be summed up in the words "Ghetto gained a ghetto name from ghetto ways/Now there must be ghetto gangs and ghetto play/If ghetto thing can have its way and get arranged/Then there must be some ghetto love and ghetto change". "Description" describes each member of De La Soul, and a few others, in five lines each, the style reminiscent of a limerick. Reception and influenceIt's also listed on Rolling Stones' 200 Essential Rock Records and The Source's 100 Best Rap Albums (both of which are unordered). When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked at #1, outdistancing its nearest opponent (Neil Young's Freedom) by 21 votes and 260 points. "An inevitable development in the class history of rap, [De La Soul is] new wave to Public Enemy's punk," wrote critic Robert Christgau in his Consumer Guide column's review of 3 Feet High and Rising. "Their music is also radically unlike any rap you or anybody else has ever heard - inspirations include the Jarmels and a learn-it-yourself French record. And for all their kiddie consciousness, junk-culture arcana, and suburban in-jokes, they're in the new tradition - you can dance to them, which counts for plenty when disjunction is your problem." Rolling Stone magazine gave the album three stars and concluded that it was "(o)ne of the most original rap records ever to come down the pike, the inventive, playful 3 Feet High and Rising stands staid rap conventions on their def ear". It was ranked 7 in Spin's "100 Greatest Albums, 1985–2005", ranked 88th in a 2005 survey held by British television's Channel 4 to determine the 100 greatest albums of all time. In 1998 , the album was selected as one of The Source Magazine's 100 Best Rap Albums. In 2003, the album was ranked number 346 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Miscellaneous
Track listing
Bonus compact discWhen Tommy Boy Records re-issued 3 Feet High and Rising on October 23, 2001, initial pressings included this compact disc as a companion. It mainly featured B-side tracks, alternate versions of album tracks and skits that would later impact other De La Soul albums.
Partial list of samplesThe following lists some of the songs and sounds sampled for 3 Feet High and Rising. Album samples
Bonus compact disc samples
Personnel
Album singles
Charting singles
References
External links
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