July-August — The Vancouver Poetry Conference is held in three weeks, involving about 60 people who attended discussions, workshops, lectures, and readings designed by Warren Tallman and Robert Creeley as a summer course at the University of British Columbia.1 According to Creeley:
The Soviet government appeared to begin removing freedoms previously granted to writers and artists in a process that began in November 1962 and continued this year. Yet the government proved uncertain and the writers persistent. In March 1963 the gavel fell on the great debate," or so it appeared, wrote Harrison E. Salisbury, Moscow correspondent for The New York Times. Khrushchev announced that Soviet writers were the servants of the Communist Party and must reflect its orders. Among the authors he specifically targeted were the poets Yevgeny Yevtushenko and Andrei Voznesensky. Yevtushenko, on a tour of European cities earlier in the year, recited before large audiences, including a capacity audience at the Palais de Chaillot in Paris, and then returned home. "Literary Stalinists took over almost all the key publishing positions," Salisbury wrote. Yet the artists and writers who were criticized either refused to recant or did so in innocuous language. Alexander Tvardovsky, editor of the magazine Novy Mir, published three brutally frank stories by Aleksandr Solzhenitsyn, for instance. By midsummer, the effects of the announced crackdown appeared nil, with authors publishing essentially as before.2
Works published in English
Listed by nation where the work was first published and again by the poet's native land, if different; substantial revisions listed separately:
The Plough and the Pen: Writings From Hungary 1930-1956, translations of Hungarian populust poets and writers by eight Canadian poets, including Earle Birney, A. J. M. Smith and Raymond Souster
James K. Baxter, The Ballad of the Soap Powder Lock-Out, a light-hearted work written by a poet who was at this time a postal worker in New Zealand, in connection with a postal workers’ protest against delivering heavy samples of soap powder
Mary Oliver, No Voyage, and Other Poems (first edition; later released in an expanded edition in 1965)
Sylvia Plath, The Bell Jar, an autobiographical novel published under the pseudonym "Victoria Lucas"
Henry Rago, [3]A Sky of Light Summer, New York: Macmillan3
Adrienne Rich, Snapshots of a Daughter-in-Law, her third volume of poetry, gains the poet national prominence for her lyric voice, mostly in free verse, and for her treatment of feminist-related themes.
Editor, Six Voices: Contemporary Australian Poets, Sydney: Angus & Robertson; American Edition, Westport, Connecticut: 1979 (anthology)
Works published in other languages
Listed by language and often by nation where the work was first published and again by the poet's native land, if different; substantially revised works listed separately:
Erich Fried, Reich der Steine a volume of cycles of poetry
Rupert Hirschenauer and Albrecht Weber, editors, Wege zum Gedicht, 2 volumes (second volume, on the ballad, published this year, previous volume published in 1956), scholarship6
^ abcdefghijklmnM. L. Rosenthal, The New Poets: American and British Poetry Since World War II, New York: Oxford University Press, 1967, "Selected Bibliography: Individual Volumes by Poets Discussed", pp 334-340
^[1]Irish Poets Online/ Author/ Richard Murphy" at the Irish Poets Online Web site, accessed October 20, 2007
^[2]Irish Poets Online/ Author/ Richard Murphy" at the Irish Poets Online Web site, accessed October 20, 2007
^ Preminger, Alex and T.V.F. Brogan, et al., editors, The Princeton Encyclopedia of Poetry and Poetics, 1993, Princeton University Press and MJF Books, "German Poetry" article, "Criticism in German" section, p 474